This week we’re continuing our ongoing discussion of creative nonfiction by diving into an essay by Hanif Abdurraqib about attending a Bruce Springsteen concert in Jersey and thinking about who gets to romanticize “hard work” in America. Plus: Tom has opinions about Susan Orlean rebranding herself as a fun drunk, and Mike brings you another installment of “The Worst Person in This Month’s Architectural Digest.”

As always, you can listen to the podcast right here on our site. Or check us out via Apple Podcasts, where you can subscribe (for free!), so that you’ll never miss another weekly episode. We’re also in Spotify, Stitcher, and just about any other podcast app you might use (if you can’t find us somewhere, reach out and let us know!)

If you like the show, and would like more Book Fight in your life, please consider joining our Patreon. For $5, you’ll get access to three bonus episodes each month, including Book Fight After Dark, where we read some of the world’s weirdest–and steamiest!–novels. We’ve also recently begun a new series of Patreon-only mini-episodes called Reading the Room, in which we offer advice on how to navigate awkward, writing-related social situations. How do you talk to a writer whose work you like after a reading? How do you promote your own writing without annoying people? Should you force your spouse or significant other to read your work? We’ve got the answers to these and many other pressing questions.

Until next time: thanks for listening!

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This week we’re talking about a second-person essay by Jennifer Murvin that was first published in The Cincinnati Review. We also talk about grading in creative writing classes, and how to arrive at standards that are fair without being either too mean or a pushover. Plus at least one tantalizing blind item!

As always, you can listen to the podcast right here on our site. Or check us out via Apple Podcasts, where you can subscribe (for free!), so that you’ll never miss another weekly episode. We’re also in Spotify, Stitcher, and just about any other podcast app you might use (if you can’t find us somewhere, reach out and let us know!)

If you like the show, and would like more Book Fight in your life, please consider joining our Patreon. For $5, you’ll get access to three bonus episodes each month, including Book Fight After Dark, where we read some of the world’s weirdest–and steamiest!–novels. We’ve also recently begun a new series of Patreon-only mini-episodes called Reading the Room, in which we offer advice on how to navigate awkward, writing-related social situations. How do you talk to a writer whose work you like after a reading? How do you promote your own writing without annoying people? Should you force your spouse or significant other to read your work? We’ve got the answers to these and many other pressing questions.

Until next time: thanks for listening!

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This week we’re discussing an Alice Bolin essay from The Toast, “A Meditation on Britney’s ‘Baby One More Time,'” which uses the pop star’s music as a jumping-off point for an exploration of loneliness, isolation, and the ways in which we hold ourselves apart from others. We talk about ways that writers can use their pop culture obsessions to get into some pretty interesting personal territory, and how we can get students, in particular, to wade out into those deeper waters, rather than simply writing essays about music they like.

Also: Tom is mad about a writing conference that emailed him, and Mike hate-reads Architectural Digest.

As always, you can listen to the podcast right here on our site. Or check us out via Apple Podcasts, where you can subscribe (for free!), so that you’ll never miss another weekly episode. We’re also in Spotify, Stitcher, and just about any other podcast app you might use (if you can’t find us somewhere, reach out and let us know!)

If you like the show, and would like more Book Fight in your life, please consider joining our Patreon. For $5, you’ll get access to three bonus episodes each month, including Book Fight After Dark, where we read some of the world’s weirdest–and steamiest!–novels. We’ve also recently begun a new series of Patreon-only mini-episodes called Reading the Room, in which we offer advice on how to navigate awkward, writing-related social situations. How do you talk to a writer whose work you like after a reading? How do you promote your own writing without annoying people? Should you force your spouse or significant other to read your work? We’ve got the answers to these and many other pressing questions.

Until next time: thanks for listening!

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Welcome to our new fall season! Yes, we know that technically it’s not fall, but school’s back in session, and there are some brown leaves on the tree in front of one of our houses (it’s possible the tree is dead). For the next several weeks, we’re going to be delving into the world of creative nonfiction, with a particular eye towards teaching that genre in a classroom. We’re both college professors who have taught both undergrad and grad classes, and this semester we both have occasion to teach some creative essays in our classes.

We’re also interested in exploring the genre lines. What makes something “creative” nonfiction? What all fits under that broad umbrella? And where does creative nonfiction bump up against (and borrow from) other genres?

For this first week, we’re discussing an essay by Joshua Wheeler, “Parachutes,” from Gulf Coast. The essay would later appear in his collection, Acid West.

As always, you can listen to the podcast right here on our site. Or check us out via Apple Podcasts, where you can subscribe (for free!), so that you’ll never miss another weekly episode. We’re also in Spotify, Stitcher, and just about any other podcast app you might use (if you can’t find us somewhere, reach out and let us know!)

If you like the show, and would like more Book Fight in your life, please consider joining our Patreon. For $5, you’ll get access to three bonus episodes each month, including Book Fight After Dark, where we read some of the world’s weirdest–and steamiest!–novels. We’ve also recently begun a new series of Patreon-only mini-episodes called Reading the Room, in which we offer advice on how to navigate awkward, writing-related social situations. How do you talk to a writer whose work you like after a reading? How do you promote your own writing without annoying people? Should you force your spouse or significant other to read your work? We’ve got the answers to these and many other pressing questions.

Until next time: thanks for listening!

Stream Episode 341:

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