This week we’re discussing a 1968 Elizabeth Hardwick essay about the Memphis funeral of Martin Luther King, Jr. The piece attempts to take the measure of both black and white Memphis after MLK’s assassination, and notes tensions within the Civil Rights movement that in certain ways echo arguments within progressive movements today. We also dive into some 1968 debates about whether fiction was up to the task of representing an increasingly fractured, absurdist reality. Plus: women’s magazines pull back on publishing short stories, drying up an important market for writers.
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